Get SMS When Your Facebook Account is Login By SomeOne ....

These days hackers and some other are so smart that may steal your account passwords and you never get to know about it, as they keep on logging to your account from other computers without your knowledge and peek into your account without your permission.
So, if any one else login to your account from some other computer other than the registered one or the some other mobile phone other than your registered mobile phone you will get notified via email. 

After you have successfully log in. Perform the steps below
Click Account button at the top right corner (drop down menu appears)
Click Account Settings
 

After you have clicked Account Settings, the “My Account” page will load. After it has fully loaded, (under Settings tab) scroll down to the bottom of the page and look for Account Security, then click change (image below will appear)

 

facebook will ask you “Would you like to receive notifications for logins from new devices?”. Select Yes and click Submit. In order for this setting to work you need to logout from facebook.

Login to Facebook again. After you have logged in a page similar to the image below will appear. It will ask you to name your device.

A. Enter the name of your device.
B. Check the Don’t ask me again from this computer
C. Click Continue

 

Thats all folks ; ) ..... enjoy safe facebooking 

Record Electrocardiogram (ECG) By using I-Phone

This is an awesome application. This video Demonstrate how you can record ECG by simply using your iphone, instantaneously.

Listen to Heart sounds with your i-phone by using iStethoscope Expert application

There's been tremendous hype about the newblood pressure cuff for iPhone. What if you could also use your iPhone to listen for abdominal gurgles, wheezes, or even the heartbeat of your unborn child?

The iStethoscope Expert app makes this possible, and best of all, it's free! You can use your device's microphone to listen for heart, lung, and bowel sounds. The app has a built-in noise canceler that will help amplify the sound of interest. If your device does not have a microphone, or if you'd simply like to enhance the sound, you may purchase the CardioTech electronic stethoscope peripheral by Zetris for $24.99.

Notable features of this app include:
- Guides to heart, lung, and bowel sounds, including phonocardiograms, audio demonstrations and text explanations.
- Sound interpreters that help determine the underlying pathology of an abnormal sound.
- Stethoscope sound library including over 60 sounds.
- Hear fetal heart sounds at 20 weeks.
- Record, send, and save sounds for review.



Since the USMLE Step 1 exam now includes audio in some of the questions, this will be very useful for medical students studying auscultation, as well as for physicians, other healthcare personnel, and even for patient education or use at home. I'm excited to see the evolvement of these medical equipment attachments!

iStethoscope Expert is compatible with iPhone, iPad, and iPod touch.

Download this Application free from Itunes Store Here

'Rio' makes nest atop the US box office

LOS ANGELES: Audiences swarmed theaters for tropical bird comedy "Rio," which nestled into its perch at the top of the box office for a second week, industry data showed Monday. The 3-D cartoon about pet macaw Blu voiced by "Social Network" star Jesse Eisenberg, which bolts from chilly climes to the beaches of Rio de Janeiro, made $26.3 million in the Friday-to-Sunday period, according to box office tracker Exhibitor Relations. After last week scoring the best debut weekend of the year, the film has made just over $80.8 million since its opening. In second spot was the latest comedic offering from Tyler Perry, with the critically-panned "Madea's Big Happy Family" that made $25.1 million in its opening weekend. In third place, starring British heart-throb Robert Pattinson and Oscar-winning actress Reese Witherspoon, was the Depression-era romance "Water for Elephants," taking in $16.8 million also on its debut. Easter romp "Hop," the real-action-animation hybrid about the wayward son of the Easter Bunny and which had spent two weeks at the top, earned another $12.2 million on the Easter weekend for a domestic total of just over $100 million. "Scream 4," the latest in director Wes Craven's irony-drenched horror-comedy franchise, slipped three spots to fifth in its second week with $7 million. In sixth, also on its debut, was Disney nature flick "African Cats," narrated by Samuel L. Jackson, which documents the lives of a number of big cats on the African savanna, making $6 million in box office receipts. The weekend box office hit list put "Soul Surfer" in the seventh spot with $5.4 million, telling the true story of church-going teen surfer AnnaSophia Robb who returns to the ocean after losing an arm in a shark attack. Thriller "Hanna," about a teenage assassin raised in the wilds of North Finland, earned $5.3 million for eighth spot, while horror flick "Insidious," about a family in a haunted house, picked up $5.2 million in ninth. Rounding out the top ten was Jake Gyllenhaal's acclaimed sci-fi thriller "Source Code," about a government experiment to find the bomber of a commuter train, which took $5.1 million. (AFP)

Fast Five' utterly preposterous fun

SYDNEY: Are we there yet? The answer, sure to please a frothing "Fast and the Furious" fan base, is: not nearly. The wheels have yet to come off this car-crazy franchise and the fifth installment, dubbed "Fast Five" and set in Rio De Janeiro, puts several more gallons of gas in the tank. There may be more brains in your bucket of popcorn, but this gleefully silly smash-'em-up heist film is sturdy enough to restore much of the fan goodwill torched in 2006 by the horror movie that was the Diesel-free "The Fast and the Furious: Tokyo Drift." Big crashes, lithe women and roiling testosterone, not to mention the addition of Dwayne "The Rock" Johnson as a fire-and-brimstone federal agent -- there's plenty to pull in the (mostly) young male audience that's shelled out a cumulative $1 billion over a decade to follow the turbo-charged adventures of a gang of street-racers. "Fast Five" (also known as "Fast and Furious 5" outside North America) is primed to equal if not better the $71 million opening weekend of its 2009 predecessor and, if a sixth film were not already in the works, that kind of coin would guarantee it. The film opens in Australia on Wednesday, Britain on Thursday, and North America on April 29. Director Justin Lin, back for his third go-around, opens it up in top gear; a mere 30 seconds elapse before the first screech of tires rents the air. Showing the blithe disregard for the laws of physics and logic that defines the series, former cop Brian O'Conner (Paul Walker) and girlfriend Mia (Jordana Brewster) use a matching pair of hot rods to bust Dominic Toretto (Vin Diesel) out of a prison transport van. All three go on the lam in Rio de Janeiro, where logic would dictate that Lin make the most of the city's famously underclad residents and luscious beach backdrops. But no. Instead, we get favelas and back-street garages and gun-toting bad guys. Lin knows, perhaps, that his target demographic can live without the surplus eye-candy; they come to see shiny muscle cars getting totaled and they would likely do so if Fast Five were set in Scranton, Pa. While gearheads may be disappointed at the final tally of choreographed car crashes and have their patience tested by lengthy collision-free stretches, Lin serves up at least two set pieces that hit new heights of metal-crunching mayhem. This is the most expensive installment yet and it's clear the budget wasn't used on acting lessons for the cast. After making a mortal enemy of the city's reigning drug lord, Reyes (Joaquim de Almeida), Dom and company find themselves in a jam that makes illegal street-racing look like kids' stuff. With tank-like federal agent Hobbs (Johnson) hot on their trail and Reyes' henchmen blasting at them with rocket-propelled grenades, Dom decides the only way to buy freedom is with $100 million of Reyes' money. So he assembles a dream team, calling in franchise favorites including Tej (Chris "Ludacris" Bridges), Roman (Tyrese Gibson), Han (Sung Kang) and Gisele (Gal Gadot) for "one last job." That's about it for plot really, with the crew making an apathetic stab at nutting out a clever, Oceans 11-style heist strategy before reverting to type and just smashing through the obstacles. Perhaps it's just as well or audiences may never have been treated to the sight of a giant reinforced steel vault careening through the streets of downtown Rio tethered to a pair of muscle cars. Screenwriter Chris Morgan peppers his dialogue-light script with a couple of good zingers and Johnson appears to be having fun with his overzealous staccato delivery. Walker and Brewster are as one-dimensional as ever, even while harboring a little secret that may see us lumbered with a future installment titled "Fast and Furious: The Next Generation." (Reuters)

Apple Inc. sued Samsung Electronics

Apple Inc. sued Samsung Electronics claiming Galaxy copies the iPhone and iPad.

Apple Inc. sued Samsung Electronics claiming the South Korean firm s Galaxy line of mobile phones and tablets copies the iPhone and iPad. Apple s claims against Samsung focus on Galaxy s design features, such as the look of its screen icons, the lawsuit said.
"This kind of blatant copying is wrong," Apple spokeswoman Kristin Huguet said.

Samsung is one of the fastest growing smartphone makers and has emerged as Apple s strongest competitor in the booming tablet market with models in three sizes but it remains a distant second in the space. Samsung said it would respond to the legal action "through appropriate legal measures to protect our intellectual property."

Nokia and Apple have sued each other in numerous courts and as recently as last month Nokia filed a complaint with the U.S. trade panel alleging that Apple infringes its patents in iPhones, iPads and other products.

Apple is bringing 16 claims against Samsung, including unjust enrichment, trademark infringement and 10 patent claims.

Gaga's ‘Judas’ battles Rihanna for top spot

LOS ANGELES: It looks like we've got an old-fashioned diva battle for No. 1 on the Billboard Hot 100 singles chart next week. Lady Gaga's "Judas," which leaked to the Web Friday morning was rush-released to the iTunes Store and could possibly debut at No. 1 on the Hot 100 next week. Up until Friday morning, it seemed like Rihanna was on course for her 10th No. 1 with "S&M," powered by strong sales and airplay of the track's "Rih-mix" featuring Britney Spears. Industry prognosticators are forecasting the song may sell nearly 300,000 downloads by the end of the tracking week on Sunday, April 17, up from the 141,000 the track scanned in its last pre-remix week. Rihanna was seemingly poised to topple Katy Perry's "E.T" (featuring Kanye West), which has spent the past three weeks in the pole position on the tally. Perry's track will likely move between 260,000 and 270,000 downloads. But now, Gaga has found herself in the fight for No. 1. While "Judas" was originally slated to debut worldwide next week, this morning's leak prompted Interscope Records, Gaga's label, to rush release the single to digital services. Billboard projects that "Judas" would have to sell north of 350,000 -- close to 400,000 -- with less than two and-a-half days of sales in the week, in order to possibly debut at No. 1 on the Hot 100. Also playing a role in its initial Hot 100 ranking will be the radio audience impressions "Judas" will garner through the end of the airplay tracking period which runs through April 19. A fast first week start at radio, similar to "Born This Way" (78.6 million), would certainly help Gaga's No. 1 cause. It's certainly possible that "Judas" could sell that much, based on the how well Gaga's last release, "Born This Way," sold in its first three days of release (after a Friday, February 11 iTunes debut). It bowed with 447,000, enabling its No. 1 debut on the Hot 100, marking her third chart-topper and the 1,000th No. 1 in the chart's history. However, "Judas" is hobbled, to a degree, in that it was posted to iTunes later in the day than "Born This Way" was. The latter hit the retailer in the early morning, while "Judas" hit the store by late morning Pacific Standard Time. (Reuters)

Time to pony up for a ticket to 'War Horse'

NEW YORK - At the end of "War Horse," the crowd at a recent curtain call rose to cheer a couple of real thoroughbreds. Not actors - horses. Humans are almost beside the point in Lincoln Center's staging of "War Horse," the astonishing World War I epic that opened Thursday at the Vivian Beaumont Theater following an award-winning run in London. The biggest claps here are reserved for a pair of equine puppets. Based on the best-selling 1982 children's novel by Michael Morpurgo and adapted by Nick Stafford, "War Horse" tells the story of the friendship between an English farm boy and his clever horse Joey set against the Great War. The puppeteers - three for the big horses, one or two for the others - provide the whinnies, snorts and snuffles of the animal in such an astonishingly lifelike way that their human manipulators - visible in period clothing - melt away. Created by the Handspring Puppet Company of South Africa, the puppets are really more like exoskeletons with shredded leather for tails and pointy ears and limbs manipulated by levers and buttons inside. For adult horses, two humans are hunched inside the body and one stands alongside its neck offering the main sounds and moving its head. The audience meets Joey for the first time as a fearful foal and watches his relationship with his young owner, Albert (a hardworking Seth Numrich), deepen. When Britain is sucked into war, Joey is sold to the British cavalry and later captured by Germans on the Western Front. Albert - sent a sketch pad of drawings from the British soldier taking care of Joey - then joins the Army to find his beloved friend, risking his life among the barbed wire and cannon fire in the Somme Valley. The cast of 35 includes people - British, German, soldier and civilian - and puppeteers who manipulate four horses; some actors pull double duty as both horse and human. The stage at Lincoln Center can barely contain all the action and, indeed, both horses and human characters race up and down the aisles. The acting - human, that is - is a little over-the-top, but that's to be expected from material inspired by a kids' book. The reason to go see the show is its inventiveness, visual punch and its obvious reverence for the way animals move and behave. Look for a wayward goose to almost steal the show. Directors Marianne Elliott and Tom Morris have their hands full juggling both beast and Homo sapiens, and they have been aided by a reunion of the production's acclaimed London design team. A projection screen - cleverly in the shape of a torn piece of the sketch pad - hangs over the stage, showing lovely animated videos by Leo Warner and Mark Grimmer. The music by Adrian Sutton and songs by John Tams alternate from battle melodies to moving violin-and-accordion English folk. Paule Constable's lighting - particularly in the battle scenes - is heart-pounding and stunning. And put your hooves together for Toby Sedgwick, who is director of movement and horse choreography. The show opened in 2007 at the National Theatre of Great Britain and transferred to the West End two years later, where it is still selling out. Steven Spielberg is readying a film adaptation of the story with real horses. Layered on top of the boy-and-his-horse tale is an exploration of the way warfare changed during the war, as machines began replacing cavalry horses on the battlefield. One the most beautifully realized scenes in "War Horse" shows Joey facing off against a British armored tank. Columns of horses in another scene are cut down my machine gun fire. Joey and a rival-horse-turned-friend Topthorn make it across the enemy lines and find themselves in German hands, but they manage to charm a horse enthusiast and decent bloke named Fredrich (a fine Peter Hermann), who takes the sting out of a play which portrays German soldiers as mostly bloodthirsty. "I'm afraid magnificence isn't worth a damn, here," Fredrich tells his animals amid the mud and trenches. There are few dry eyes in the house at the conclusion of this tale and that includes both weeping gray-haired Lincoln Center subscribers and sniffling high school field trippers. And why not? There's no shame in crying over a love story between a boy and his horse, even if that horse is made up of cane and plywood. Plus, there's another secret ingredient in those puppets: plenty of heart. (AP)

Condoleezza Rice is set to start acting

LONDON: Former US Secretary Condoleezza Rice is set to make her acting debut on hit comedy show ''30 Rock''. The 56-year-old diplomat will appear in a brief cameo on the American sitcom, reported the Daily Mail. The announcement was made yesterday by the show's star and creator, Tony Fey, who described the cameo as "amazing". Jack Donaghy, played by Alec Baldwin, bragged that the former diplomat, who currently teaches political science at Stanford University in California, was his former flame throughout the first season of the programme. Earlier former vice president and Noble Peace prize winner Al Gore made a guest appearance on the show. But former US President Bill Clinton recently turned down the same offer. (Online)

Angelina exhibits jewellery collection

NEW YORK: With six children, a thriving film career, and commitments as a UN Goodwill Ambassador, we're not quite sure how Angelina Jolie finds time for partner Brad Pitt, let alone anything else. But the star has somehow managed to create a full fine jewellery collection, which went on display for the first time in Beverly Hills yesterday. Each piece in the Style of Jolie line, designed in collaboration with jeweller Robert Procop, features semi-precious and precious stones, from white quartz and citrine to emeralds and diamonds. The collection, which is displayed as an exhibition at Julien's Gallery, was created to raise funds for the Education Partnership for Children in Conflict. The actress was not present at the launch, but she has already been seen wearing her jewellery designs in public. She wore a pair of yellow gold and green beryl 'Tablet' drop earrings to the New York premiere of her film The Tourist last December. Mr Procop explained that the design was inspired by a gift he and Ms Jolie designed for Mr Pitt one Christmas, and was based on the concept of 'ancient carved tablet engravings, encapsulating the essence of hidden meaning'. The Premiere black faceted necklace, which features 47 black spinels set in 18k rose gold was worn by Ms Jolie to the premiere of her movie, Salt, is also on show. An image of her wearing the piece is displayed alongside it in the gallery. Among the other designs is the five-row citrine tablet bracelet, designed to create 'an elegant cascade down the arm of the wearer', according to Mr Procop's website. Also part of the display is a large pear-shaped green beryl pendant, and the Exceptional Emerald necklace, which boasts 103 carats of 'vivid green' stones - the highest-quality classification - set in yellow gold. In a statement on the jeweller's website, Ms Jolie described the creative process involved in creating the collection. She wrote: 'In collaborating with Robert, we identified favorite characteristics like vivid colors and dramatic faceting, in each gemstone. From there, everything fell into place. 'By making the gemstone the main focus of the design, we feel the simplicity of each piece becomes timeless. 'Beyond enjoying the artistic satisfaction of designing these jewels, we have been fortified by knowing that our work is also serving our mutual goal of providing for children in need.' Mr Procop, in turn, was full of admiration for the star, describing the result as 'artistic'. Speaking in a video to promote the exhibition, he said: 'This is a collaboration between Angelina Jolie and myself, and designing beautiful jewels as a piece of an art form. 'What we’re showing here is a collection that Angelina and I have been working on for the last nine months or so, building not only a part of her style, but real artistic forms, using gemstones as a centerpiece. 'But our main mission is helping children in crisis by educating children around the world.' The exhibition is by invitation only, and also includes a vintage diamond choker worn by Ms Jolie in The Tourist. Mr Procop revealed that there had already been 'great interest' in the collection.

Same formula still makes a decent 'Scream'

Ghostface's 11-year layoff hasn't made the "Scream" franchise feel any fresher. But with a decent beginning, a mushy midsection and a killer ending, the latest installment at least doesn't feel any staler. "Scream 4" is pretty much the same-old thing, which the filmmakers hope will seem new again given how long the horror-comedy series has been festering in its temporary grave. Honestly, it's not an unwelcome thing to watch the return of Neve Campbell as the slasher victim who wouldn't die, Courtney Cox as the tabloid hack in bloodlust for a story and David Arquette as the bumbling Barney Fife of fright-flick cops. Director Wes Craven has added an attractive young harvest of fresh meat on the victim and psycho front, led by Emma Roberts, Hayden Panettiere and Rory Culkin, along with amusing cameos from Anna Paquin, Kristen Bell and others. "Scream 4" opens with the franchise's usual prologue, this one modestly clever, heavier on laughs than suspense. But it gets the action rolling and the blood flowing for the main event: Campbell's celebrity victim Sidney Prescott returns to her hometown on a book tour for her memoir about surviving her encounters with the various Ghostface slashers. Her arrival coincides with the anniversary of the original slayings, when the town's teenage Sidney idolaters already are in a frenzy for the annual "Stabathon" party built around the Hollywood franchise inspired by her experiences. Of course, bodies pile up as a new Ghostface goes on a rampage. Cox's Gale Weathers now is married to Arquette's Sheriff Dewey, and the moments of domestic duress the characters experience add a little subtext, given the actors' real-life marriage was breaking up while they shot the movie. Bored and looking to get back into the journalism game, Gale leaps in trying to unmask the latest Ghostface, while Dewey cluelessly suffers along again, aided by a gung-ho deputy (Marley Shelton) harboring a major crush for him (Anthony Anderson and Adam Brody add decent laughs as a couple of other deputies). Ghostface's circle of prey includes Sidney's cousin (Roberts) and some of her friends and classmates, among them Panettiere and Culkin. Mary McDonnell also appears fleetingly as Sidney's aunt; the movie progresses in such patched-together fashion that much of her role may have been sliced out. With a screenplay by original "Scream" writer Kevin Williamson, the movie is an over-long, sometimes plodding collision of characters, any of which could turn out a killer or victim in the arbitrary world of the franchise. This time, the crisscross of blind clues and red herrings almost makes it feel as if Craven left the unmasking of Ghostface for the last day of filming then simply handed a knife to someone with the instruction to start stabbing. What comes after that unveiling is great fun, a really clever twist on the clichés of slasher-movie violence. The movie drags in many spots before that climax. Craven often seems to be finger-painting with the entrails of the first three movies, slopping random blood, gore and gags on the walls to see what sticks. "Scream 4" slathers on winking, self-referential banter about the conventions of the franchise, along with horror flicks and sequels in general. Much of it is funny, some of the best laughs resulting when people ponder their place in the hierarchy of horror-genre characters and how that affects their odds of survival. And again, the movie saves some of the best for last: Campbell's parting quip to her latest tormentor is an absolute scream. (AP)

Rio’ dances on the sand, soars through the sky

A lot of passion and personal feeling clearly went into "Rio," the 3-D animated adventure from director Carlos Saldanha, who devised this story as a love letter to his Brazilian hometown. It's strikingly gorgeous, bursting with big images and vibrant colors. And the use of 3-D, which so often feels so needless and like such an afterthought, is surprisingly effective in the hands of Saldanha (director or co-director of the "Ice Age" movies) and his team. Stuff doesn't come flinging at you in cheeky, knowing fashion — although that can be fun in its own gimmicky way sometimes — but in the flying sequences especially the chase scenes, the 3-D provides an extra thrill, an added layer of immersive oomph. Blu, a cerulean macaw who's the film's reluctant hero, hang-glides around the mountaintop Christ the Redeemer statue, and the depth of field that results is sort of awesome. The whole film has a tremendous energy about it, not just in the way it moves but in the snappy banter and screwball antics between Jesse Eisenberg, who voices the character of Blu, and Anne Hathaway, who voices the free-spirited bird Jewel. Eisenberg works his patented halting, neurotic delivery to ideal comic effect, while Hathaway is confident, bold and impatient as the female of the species who is his destiny. They clash so convincingly, you'd think they'd recorded their scenes together. (They didn't, which is unfortunately the norm in animation performances.) So much is so appealing for so long that you can almost forgive the fact that there's not much story here in the script from Don Rhymer, Joshua Sternin & Jeffrey Ventimilia and Sam Harper. (Three others, including Saldanha himself, get story-by credit.) It's essentially one long chase, with the usual romantic-comedy friction that will, of course, turn into love. Blu, as a baby, was abducted by smugglers who raided his jungle home to sell him and other beautiful birds illegally in the United States. He ended up getting lost en route and, luckily for him, falling into the loving hands of a nerdy, small-town Minnesota girl named Linda. Over the years, the two forged an amusingly inappropriate bond, and now are enjoying a comfy, co-dependent existence. Linda (voiced as an adult by Leslie Mann) has domesticated this bird she named Blu to such an extent that he makes his own breakfast and enjoys hot cocoa with marshmallows — but he never learned to do what most birds can do, which is fly. One day, a scientist named Tulio (Rodrigo Santoro) arrives to inform Linda that Blu is the only male left of his species. They must travel at once to Rio de Janeiro to allow Blu to mate with the last female of the species, Jewel. Anxious about leaving their familiar surroundings, they nonetheless make the trip. But this first date, um, doesn't go quite as everyone hoped. Not only do Blu and Jewel not get it on, but they hate each other — and Jewel is too busy anyway planning her escape. Then they're captured by another set of smugglers, with help from a hideous and diabolical cockatoo named Nigel. Jemaine Clement of "Flight of the Conchords" voices the character with preening menace — complete with an elaborate production number — and he's a hoot. From here, they must figure out how to break free so Blu can get back to Linda and Jewel can enjoy independence. (George Lopez, Jamie Foxx, will.i.am and Tracy Morgan lend their voices to the supporting players who help along the way.) The fact that they're chained to each other — and Blu can't fly, if you'll recall — sets up plenty of slapstick and elaborate mad dashes across slums, beaches, forests and finally the spectacle of Carnival. Nothing deep or heavy here — just a good time and a pleasurable escape. (AP)

Jennifer Lopez named People's most beautiful woman

NEW YORK: Jennifer Lopez was named People Magazine's most beautiful woman in the world on Wednesday, capping a career comeback fueled by her new job on top-rated TV show "American Idol". The 41-year-old New York City-born singer and actress joined former winners Halle Berry, Jennifer Garner and Beyonce Knowles to top People's annual list of the world's most beautiful people. "It's so crazy. Rarely am I left speechless, but I feel honored," Lopez told People of their accolade. "I feel not worthy, you know? I feel happy and proud. Proud that I'm not 25!." The "Wedding Planner" actress, who is married to singer Marc Anthony and took time off to have twins in 2008, has enjoyed a revival in popularity since becoming a judge this year on talent show "American Idol". Her new single, the dance pop hit, "On The Floor," has been topping charts around the world, giving Lopez her first Top 10 Billboard single since "All I Have" in 2003. Lopez, who was dropped by her record label in 2010 after disappointing sales, releases her first new studio album in four years in May, called "Love?". Lopez told People she felt better now than she did in her 20s. "In my 20s, I just wasn't there in my mind and my soul and my spirit. It's just great to be in the position I'm in now and be able to share that with the world." Known for her flawless skin and curvy figure, she attributed looking good to her personal life. "I think it's because I have a lot of love in my life. I feel lucky to be an attractive person, but I've always felt that real beauty always comes from your heart." Since signing up last year for "American Idol", -- the most-watched TV show in the United States -- Lopez has been named the celebrity face of products ranging from beauty firm L'Oreal, to Venus razors and the Gucci children's clothes collection.

`The Conspirator' is stately to a fault

Robert Redford's latest film, "The Conspirator," explores a time in American history that most of us probably never knew about, or at least forgot: the 1865 trial of Mary Surratt, a boarding house owner whose son was suspected of helping John Wilkes Booth assassinate Abraham Lincoln. It should be tense and thrilling, full of rich, powerful performances; instead, it'll make you feel like you should be taking notes in preparation for a high-school exam. And like the last film Redford directed, the terrorism drama "Lions for Lambs," it's painfully preachy and sanctimonious. James McAvoy stars as Frederick Aiken, a 28-year-old Civil War hero for the Union who's now the lawyer assigned to defend Mary (Robin Wright), the lone woman charged in the case. Being young and idealistic - and functioning as the kind of character Redford himself would have played decades ago - Aiken says he doesn't know whether Mary is guilty of conspiracy, but he feels she deserves a fair trial. The entire nation is against her - and against him, too, by association. But Kevin Kline, as the power-hungry Secretary of War Edwin Stanton, makes it clear that someone must pay for the president's death. It may as well be Mary Surratt. Redford's film, based on a script by James D. Solomon, is stately and respectable to a fault: It's too safe. It feels the need to bang us over the head with how important it is. And Redford is trying way too hard to make these events from a century and a half ago seem like a relevant metaphor for where we are as a nation post-9/11. Nobody ever evolves here; "The Conspirator" doesn't offer characters so much as human representations of principles. Aiken is always determined and high-minded (and Alexis Bledel as his girlfriend is always sweet and boring.) Mary remains the stoic martyr, proudly prepared to do whatever she must to protect her son, until the very end. Stanton is always unscrupulously conniving and out for blood. Even the film's aesthetic motif is static and suffocating. Redford (with the help of cinematographer Newton Thomas Sigel) shoots nearly all his interiors the same way: dark rooms pierced with shafts of misty, unforgiving sunlight. Whether they're meant to provide enlightenment or cast blame, they feel repetitive. Sure, "The Conspirator" has an excellent, pedigreed supporting cast including Tom Wilkinson, Colm Meaney, Danny Huston and Stephen Root in one great scene. (Justin Long, meanwhile, shows up with the worst fake facial hair known to mankind as one of Aiken's fellow soldiers, and his presence feels awkward and way too contemporary.) But then, Wilkinson, as Aiken's superior, is saddled with clunky lines like: "It's time to heal the nation, not wage more war." Even an actor of his versatility and stature can't make that sound like anything but what it is: a lecture.

1. Oxford English and Oxford Medical dictionary plus viewer for symbian supported phones (most nokia phones)

 For Download click here

Installation instructions:
The file you are downloading is a self extracting file....run it in your pc...it will give you 3 files , copy them to your cell phone...install the three files as following:-

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Regiter it with this key: 32454-16767

Finger nails to predict health

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e nails are normal by looking at the following (Figure 1):

 Clubbed Fingernails




 clubbing involves a softening of the nail bed wit

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Causes of clubbing ( (Figure 3):



Figure 2. Schamroth's sign.



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Figure 5A. The location of Beau's lines half way up the nail suggests illness 3 months ago.

Figure 5B. Two Beau's lines suggest illnesses about 2 months apart.

Thin Brittle Nails


Figure 6. Note the thin nails in this woman with severe osteopenia.
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Nail Pitting



Splinter Hemorrhages


Figure 22. Splinter hemorrhages tend to be fat.

Terry's Half and Half Nails
. 

Figure 23A. This example of Terry's half and half nails suggests liver disease (no brown lines).

Figure 23B. Half and half nails
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White nails



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Slide 2. 84-year-old man with a painful ankle.

Slide 3. 68-year-old man with esophageal canc








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'Hop' keeps top spot as Brand pulls double duty

LOS ANGELES: British bad boy Russell Brand dominated the North American box office, with a starring turn in the top-earning "Hop," as well as in the remake of the 1980's classic "Arthur," the number two weekend film, industry estimates showed Sunday. "Hop," a partially animated Easter-themed romp, remained atop the box office for a second consecutive week, with a weekend gross of $21.7 million, bringing its two-week total to $68 million. Brand voices the character "E.B." in the film, the wayward son of the Easter Bunny. In "Arthur," which debuted in second place with $12.6 million, he plays the lovable but irresponsible billionaire Arthur Bach in a role originated by Dudley Moore in the 1981 hit. "Hanna," a thriller about a teenage assassin, pulled in an estimated $12.3 million for third place in its debut, according to box office tracker Exhibitor Relations. Saoirse Ronan stars as the 16-year-old girl raised by her widowed father (Eric Bana) in the wilds of North Finland. In fourth place was "Soul Surfer," starring AnnaSophia Robb as a churchgoing teenage surfer who returns to the ocean after losing an arm in a shark attack. It's based on the true story of Bethany Hamilton. It earned $11.1 million. Horror flick "Insidious," in which a family finds itself living in a haunted house, picked up $9.7 million in fifth place. "Your Highness" debuted in sixth place, earning $9.5 million. The comedy stars Danny McBride, who was the munitions expert in "Tropic Thunder" (2008), and James Franco as as princes on a mission to save their land. It was directed by David Gordon Green ("Pineapple Express"). Jake Gyllenhaal's sci-fi thriller "Source Code" fell five spots to number seven, with $9 million in its second week. Gyllenhaal's character is part of a government experiment to find the bomber of a Chicago commuter train. "Limitless," in which Bradley Cooper plays an author who samples a revolutionary new drug, was eighth with $5.7 million. Rounding out the top 10 were "Diary of a Wimpy Kid: Rodrick Rules," with $4.9 million, followed by Matthew McConaughey' drama "The Lincoln Lawyer," which grossed $4.6 million. (AFP)

Katy Perry leads US singles chart

NEW YORK: Katy Perry's "E.T.," featuring Kanye West, spent a second week at No. 1 on the Billboard Hot 100 singles chart on Thursday, bolstered by the premiere of its effects-heavy video a week ago. Rihanna's "S&M" was also unchanged, at No. 2, while the Black Eyed Peas' "Just Can't Get Enough" rose two to No. 3. Cee Lo Green's "F**k You (Forget You)" at No. 4 and Lady Gaga's "Born This Way" at No. 5 each slipped one place. Chris Brown's "Look at Me Now," featuring Lil Wayne and Busta Rhymes, rose one to No. 6; Jeremih's "Down on Me," featuring 50 Cent, jumped two to No. 7; Jennifer Lopez's "On the Floor," featuring Pitbull, was also up two, to No. 8; and Pink's "F**kin' Perfect" dropped one to No. 9. British singer/songwriter Adele claimed her first top-10 hit in the United States as "Rolling in the Deep" soared seven places. The track comes from her hit album "21," which recently ruled the Billboard 200 chart for three weeks, and is expected to reclaim its crown when data are released next Wednesday. (Reuters)

Grammys drop more than 30 categories

NEW YORK: Men and women will compete head-to-head, some of the more exotic awards like best Native American album and best spoken-word children's record have been eliminated, and the number of categories has been reduced by more than 30 in the biggest overhaul in the 53-year history of the Grammys. While no musical genres will be excluded

"It ups the game in terms of what it takes to receive a Grammy and preserves the great esteem of which it's held in the creative community, which is the most important element," Recording Academy President and CEO Neil Portnow said in a telephone interview Wednesday.


The biggest change will come in the number of categories, cut from 109 to 78. Awards will no longer be given in such categories as rap performance by a duo or group; some of the instrumental categories in pop, rock and country; traditional gospel; children's spoken-word album; Zydeco or Cajun music album; and best classical crossover album

Portnow said the changes will make the awards process more rigorous.

"That's appropriate. We are talking about the most prestigious, coveted award and it should be a high bar in terms of the measurement of receiving that," he said.

Separate male and female vocal categories in fields like pop, R&B and country are among those being dropped. Men and women will now compete in each overall field. That is already the case in the field of rock, which does not have male and female vocal categories.

"A great singer is a great singer is a great singer, and somebody that has a gift in terms of their voice, and is at the top of their game in terms of their delivery and emotion, really isn't necessarily defined by gender," Portnow said.

The changes would appear to make it more difficult for artists in lesser-known and less mainstream categories. Tia Carrere won't be taking home any more Grammys for best Hawaiian music album, for example. But she could still win in the new best regional roots music album category, which comprises more genres.

Other changes will require each category to have at least 40 entries instead of 25, and categories that receive between 25 and 39 will have only three nominations instead of four or five.

If a category gets fewer than 25 entries, it will be removed for that year, and if it happens three years in a row, the category will be discontinued and the material will find a new home in a related genre. (AP

The Hangover Part II (2011)

 

 

Director:

Todd Phillips

Writers:

Craig Mazin, Scot Armstrong, 

Stars:

Bradley Cooper, Zach Galifianakis and Ed Helms

 

PLOT

Phil, Stu, and Alan travel to Bangkok for Stu's wedding only to find themselves in another post-blackout misadventure.

 

Harry Potter and the Deathly Hallows: Part 2 (2011)

Director:

David Yates

Writers:

Steve Kloves (screenplay), J.K. Rowling (novel)

Stars:

Daniel Radcliffe, Emma Watson and Rupert Grint

PLOT

The Film Begins with Deep in the Dark Woods, Lord Volemort Breaks Open dumbledore's Tomb and Steals the Elder Wand and Strikes the Main Titles (Used from Trailer)

Harry is devastated by Dobby's death, and when he buries him he does so by hand, without using magic. When they all come out to lay Dobby to rest, they thank him for saving their lives.

After the funeral, Harry questions Griphook about the sword, with which he managed to escape. Harry needs Griphook to help him break into Gringotts bank, because he now thinks that another Horcrux is hidden in Bellatrix Lestranges vault. Griphook tells them he'll think about helping them and let them know when he decides.

Harry also questions the wandmaker, Ollivander, asking him if its possible to fix his broken wand. Ollivander cannot fix it. Ollivander does tell him, however, that Voldemort really is seeking the Elder Wand so he can evade death

 

 

HOT UPCOMING

Harry Potter and the Deathly Hallows: Part 2 

The Hangover Part II 

MOVIES LIST

                              NOW PLAYING MOVIE
                              

               POPULAR MOVIES

                HOT UPCOMING

NOW LAYING

• Sucker Punch (2011)

 

• Battle: Los Angeles (2011)

   

• Limitless

Limitless

A writer discovers a top-secret drug which bestows him with super human abilities.

Director:

Neil Burger

Writers:

Leslie Dixon (screenplay), Alan Glynn (novel)

Stars:

Bradley Cooper, Anna Friel and Abbie Cornish

Battle: Los Angeles (2011)

Battle: Los Angeles is a 2011 military science fiction war film

Director:

Jonathan Liebesman

Writer:

Christopher Bertolini

Stars:

Aaron Eckhart, Michelle Rodriguez and Bridget Moynahan

Plot

A Marine Staff Sergeant who has just had his retirement approved goes back into the line of duty in order to assist a 2nd Lieutenant and his platoon as they fight to reclaim the city of Los Angeles from alien invaders.

Sucker Punch (2011)

Sucker Punch is a 2011 action-fantasy thriller film about the fantasies of a young woman who is committed to a mental institution.

Director:

Zack Snyder

Stars:

Emily Browning, Vanessa Hudgens and Abbie Cornis

Plot

In the 1960s,a 20-year-old girl nicknamed "Babydoll"  is institutionalized by her stepfather at the Lennox House for the Mentally Insane after she is blamed for the death of her younger sister. Blue Jones , the asylum's orderly, is bribed by Babydoll's stepfather into faking the signature of the asylum's psychiatrist, Dr. Vera Gorski , to have Babydoll lobotomized so she can neither inform the authorities of what really happened nor reclaim her recently deceased mother's fortune. As she enters the institution, she notices details of its layout and security.
In the five days before the surgeon (Jon Hamm) arrives, Babydoll retreats to a fantasy world in which she is a newly-arrived virgin in a brothel owned by the mob. She befriends four other dancers—Amber (Jamie Chung), Blondie (Vanessa Hudgens), Rocket (Jena Malone) and her older sister, Sweet Pea (Abbie Cornish). Dr. Gorski appears here as the girls' dance instructor and tells Babydoll that her virginity will be sold to a client known as "The High Roller" who will be arriving in five days....................

Natalie Portman on 'Black Swan' controversy: 'I know what went on.'

When ballerina Sarah Lane claimed last month that she had done 95 percent of the dancing in Natalie Portman’s Oscar-winning Black Swan performance, Portman’s supporters  were quick to defend their star. But Portman herself has stayed mum on the topic — until now. “I know what went on,” Portman told that “I’m really proud of everyone’s work on the movie and of my experience. And I’ll have that forever. So it’s nice for me to always know about that no matter what kind of nastiness or gossip is going around.” Portman didn’t directly refute any of the accusations made by Lane, nor did she address the claims that Lane was told to keep quiet during Oscar season and that Black Swan‘s face-replacement effects were edited out of the film’s promotional FX reel.

Lady Gaga leads MTV's Music Award nominations

NEW YORK: Lady Gaga and Tyler  lead MTV's  O Music Awards with three nominations each. MTV announced Tuesday the categories and nominees for its new Web-based awards show, a celebration of digital music. Categories include best fan cover, most viral dance and best music hashtag meme. Lady Gaga and rapper Tyler the Creator are among the nominees for most innovative artist and most-follow artist on Twitter. Lady Gaga is also nominated for favorite animated GIF, a kind of avatar. Tyler the Creator, of the much buzzed-about hip-hop group Odd Future, is also nominated for his remix of Lykke Li's "Follow Rivers." Winners will be decided by fan voting in social media, The awards will be presented in a live hour-long webcast April 28 on MTV websites and mobile apps. "Some elements of this will be experimental," said Dermot McCormack, head of digital media at MTV Music Group. "If there is such a thing as a beta award show, this is it." Several of the awards will go to fans or even pets. Best animal performance is a category, with nominees like a parrot dancing to Willow Smith's song "Whip My Hair." Other categories fete the new epicenters of online music, such as best independent music blog, best music discovery service and best performance series. The latter features a group of nominees that pits acclaimed online series like NPR's "Tiny Desk Concerts" and La Blogotheque's "Take Away Shows" against MTV's own "Unplugged." "We're really launching a new franchise here, something that we're investing in," says Shannon Connolly, vice president of digital music strategy for MTV Music Group. Other nominated artists include Kanye West, the Flaming Lips, Nicki Minaj, Arcade Fire and Justin Bieber. Among the non-artist nominees are the comedy site Funny or Die, the music discovery service Pandora and Andy Samberg's comedy troupe, the Lonely Island. The network says success for the O Music Awards won't be assessed by ratings or view counts, but by its cultural influence. "We won't be judging by how many streams we do on several websites," says McCormack. "We will be judging it by how much we can affect the conversation around digital music in the lead-up and beyond." (AP)

Taylor Swift, Miranda Lambert top ACM Awards

LAS VEGAS: Miranda Lambert won four prizes at the Academy of Country Music Awards on Sunday but lost the coveted entertainer of the year honor to Taylor Swift in a major surprise. Swift, who picked up four nominations, had watched from her seat throughout the ceremony as rivals She was stunned when her name was  called for the final prize, a fan-voted honor. "This is the first time that I've ever won this and I'm just losing my mind," Swift said, as she fought back tears. Lambert retained her crown as top female vocalist and her wistful tune "The House That Built Me" was honored for single, song and video of the year at the 46th annual awards ceremony. The award for single goes to the artist and producer, whereas the trophy for best song is given to the artist and composer. Lambert, a 27-year-old , went into the ceremony with a leading seven nominations, including two in the video category. The country trio Lady Antebellum won trophies for album and vocal group of the year and Brad Paisley was named top male vocalist for the fifth consecutive year. The award for top new artist went to The Band Perry, a sibling trio from Mississippi. Kenny Chesney, with five nominations, and Keith Urban, with three, went home empty-handed. The announcement of winners took second place to a string of performances divided between two hotel venues, the MGM Grand and Mandalay Bay. The winner of the first award was not revealed until almost an hour into the three-hour ceremony. The show was hosted by Reba McEntire for the 13th year. She was joined by first-timer Blake Shelton, Lambert's fiance. Winners at the 45th Annual Academy of Country Music Awards from Las Vegas: • Entertainer of the year: Taylor Swift • Top male vocalist: Brad Paisley • Top female vocalist: Miranda Lambert • Top vocal group: Lady Antebellum • Top vocal duo: Sugarland • Top new artist: The Band Perry • Top new solo vocalist: Eric Church • Top new vocal duo or group: The Band Perry • Album of the year: "Need you Now," Lady Antebellum • Single record of the year: "The House That Built Me," Miranda Lambert • Song of the year: "The House That Built Me," Miranda Lambert • Video of the year: "The House That Built Me," Miranda Lambert • Vocal event of the year: "As She's Walking Away," Zac Brown Band Featuring Alan Jackson (Reuters/AP)

Wipeout: 'Soul Surfer' lacks bite

LOS ANGELES: Sports writers invariably call any last-minute heroics or unbelievable upset a "Hollywood ending," yet in reality Hollywood usually does a poor job with sports stories based on real-life events. Such stories force filmmakers to drastically alter the filmmaking playbook, draining away all color or quirks of personality from characters based on living people and removing any complications that might distract viewers from the "inspirational" message they're determined to convey. Which is what happens in Soul Surfer, a true story of courage, determination and guts that deserves a more exciting approach. No doubt, the film will reach its target faith-based audience but a wider audience may elude the TriStar release. However, if the film's real-life heroine, Bethany Hamilton, promotes the film with enough personal appearances, Soul Surfer may break through to general audiences. Her story has certainly been told repeatedly, including an autobiography and an earlier short doc, "Heart of a Soul Surfer," made by her sister-in-law. A lifelong surfer born to a family of Hawaiian surfers, she lost her left arm in a 2003 shark attack when she was 13. She returned to surfing a mere month after her harrowing ordeal and continues to compete in contests today, having perfected a one-armed surfing technique. Few stories can be more inspiring but this one apparently didn't inspire the filmmakers to think outside the box. Director Sean McNamara and no less than seven credited writers, in additional to the three that co-authored Hamilton's book, recite the basic facts in dramatic form but give a viewer little sense of who these people -- Bethany, her family and friends -- are or what makes them tick. The film's main actors do fill in some of the gaps, especially young AnnaSophia Robb as Bethany and Dennis Quaid and Helen Hunt as her parents. Robb goes full-bore in her surfing scenes -- she is actually a beginner -- as well as the dramatic ones, giving the heroine the determination of youth broken only a couple of times by doubts or self-pity. Having been virtually born to surf, she had no real way to give it up. It goes against her entire upbringing. With little makeup, Quaid and Hunt play people who spend as many hours as possible in the sun: Their leathery, lean skin and unadorned faces speak to a deep love for the outdoors and especially the ocean. Taken together this trio, along with Ross Thomas and Chris Brochu who play Bethany's older brothers, present a family of pro surfers whose sport has given them a competitive spirit and a commitment to excellence that see them through this terrifying ordeal. But the filmmakers treat them with kid gloves. Put it this way, you would never create such nearly perfect, idealized characters for any fictional story. You'd bore an audience to tears. The 10-minute episode concerning the shark attack and rush to a nearby hospital is the best sustained sequence in the film. Additionally, all the water work involving cameras mounted on surfboards and jet skis is superb as is the surfing, often performed by doubles that include Bethany herself. On land though, the film suffers from the Hollywood-itis those sports writers so frequently invoke. A fictional villain is created in a rival surfer, played by a perennially scowling Sonya Balmores, who ridicules and cheats Bethany at every opportunity. The film uses a 2004 humanitarian aid trip to Thailand by Bethany following the devastating tsunami to give its heroine a sentimental shot in the arm to further motivate her to return to competitive surfing. The film curiously characterizes the media that descends on the Hamilton house as a force of terror that drives Bethany and her family to cover. This is an all too common, even cliched movie portrayal of reporters, but in this instance more than a little mendacious given the countless interviews the young woman has given in the weeks following the attack up until today. Singer Carrie Underwood makes her film debut in a superfluous role as Bethany's church young group leader while Kevin Sorbo and Lorraine Nicholson play the father and daughter who no doubt saved her life by their quick thinking and reactions in the moments following the attack. As with all the roles throughout the movie, they perform a specific function within the known storyline but are thinly characterized. Composer Marco Beltrami should be singled out for a score that brilliantly utilizes old Hawaiian music and songs. (Reuters)